Mamma Mia! is the cinematic equivalent of an exploding party supply store. It’s a chaotic, freewheeling mess of sequins, feather boas, and novelty beach props crashing into a dazzling slate of singing and dancing superstars. The spectacle is good, boozy fun if you’re not invested in plot and don’t need an excuse to break out in song.
Based on the stage production which is based on someone’s strained imagination, the movie takes place on a picturesque Greek island where Donna (Meryl Streep) owns a holiday villa. Her daughter, Sophie (Amanda Seyfried), is engaged to Sky (Dominic Cooper), and their wedding promises to be a grand affair. Guests begin to descend on the island, including her raucous friends and former bandmates, Rosie (Julie Walters) and Tanya (Christine Baranski). But unbeknownst to her, Sophie has also sent invitations to Donna’s former lovers, Sam (Pierce Brosnan), Harry (Colin Firth), and Bill (Stellan Skarsgård), one of whom could be her biological father. With the nuptials less than 24 hours away, Sophie’s secret becomes too big to keep and threatens to ruin her big day.
Not to worry though – this is an ABBA extravaganza. A film whose musical lineup includes “Dancing Queen,” “Super Trooper,” and “Gimme! Gimme! Gimme!” can’t possibly end on a sour note. Just look at those exclamation marks. It’s the sheer exuberance of the song and dance numbers and the abandon with which the actors perform them that lessen the guilt of indulging in such shameless entertainment. The gaudy theatricality of the whole project works in its favor, demanding that viewers let loose a little. If James Bond doesn’t mind embarrassing himself in a polyester one piece, then surely the audience can forgive the below average singing voices and utter lack of character development.
It’s a mystery, for example, why Sophie is so desperate to have her father give her away when she’s had no contact with him her whole life or why all three men, who presumably had no more than a weekend fling with Donna, are so eager to scramble back to the tiny Greek village after twenty years. The sheer will with which Catherine Johnson, who penned the book and screenplay, corsets her story to give shape to the songs is impressive, even if the results are less so.
One reason is casting, which clearly didn’t take musical abilities into account. Seyfried holds herself well along with veteran Baranski and relative newcomer Cooper, but even the infallible Dame Meryl shows some strain. Still, she is better than any of her leading men, whose reedy warbles surely belong in some musical hall of infamy. At least they have their careers to fall back on.
“Dancing Queen” by Meryl Streep, Christine Baranski, Julie Walters:
“Lay All Your Love On Me” by Amanda Seyfried and Dominic Cooper:
“Gimme! Gimme! Gimme! (A Man After Midnight) by Amanda Seyfried:
“Voulez-Vous” by Mamma Mia! cast:
Prod: Judy Craymer, Gary Goetzman, Tom Hanks
Dir: Phyllida Lloyd
Writer: Catherine Johnson
Cast: Meryl Streep, Pierce Brosnan, Amanda Seyfried, Colin Firth, Stellan Skarsgård; Julie Walters, Christine Baranski, Dominic Cooper
Time: 109 min
Country: United Kingdom