When I started A Bone to Pick, the first movie in the Aurora Teagarden series, I was as excited as one can be to dive into a Hallmark mystery. The title character is a diminutive, single librarian with a penchant for solving murders, which is far closer to me than a bakery owner or a remodeling expert. But the air quickly goes out of this one despite a few moments of levity, especially a late scene involving a very pregnant police captain. Aurora (Candace Cameron Bure), or Ro as she’s known to her family and friends, is a perky character who’s easy to like, but her chipper personality isn’t enough to sustain a full mystery.
The idea of a Real Murders Club is grim but enticing, and Ro and her friends gather regularly to discuss and try to solve real murders, obviously. I’m too squeamish to join one myself, assuming these things exist and I’m sure they do, but the popularity of true crime podcasts like Serial and shows like Making a Murderer suggests that these guys are on to something. When one of the members dies – from old age and not from foul play, Ro gets pulled into a real murder mystery of her own.
The woman leaves her whole estate to the young librarian, an estate that happens to include a skull tucked inside the window seat of her very handsome house. Ro’s crime solving mind clicks into gear, and rather than alerting the police, she immediately sets off to gather clues. There are a few leads for her to follow, all of which bring her back to her new neighbors whom she suspects of murdering one of their own. Under the pretense of exploring the block, she takes the opportunity to question everyone and eventually fingers a mysterious dress shop owner with a runaway husband, a woman who looks like an extra from an 80s TV movie, her bland husband, and a grumpy newspaper editor who happens to be the boss of Ro’s best friend. Her accusations do nothing to endear her to her neighbors, who are already miffed that she and not they inherited their neighbor’s property and wealth.
I can’t be sure that these are all the suspects though. The movie spends so much time trying to establish Ro’s character that there’s hardly any thought given to the others. In the end, I managed to sort everyone out, but that still left an unsatisfying reveal. Nevertheless, Ro is a force, and this first movie in a series does its best to get you hooked on the character; the sleuthing is secondary. It’s not how good storytelling works but it’s the trade-off the writers decide to go for.
And that’s fine if you’re not into the whole murder mystery thing, though this is the channel’s raison d’etre. There are plenty of characters to liven up the story, like Marilu Henner as Ro’s mom, Aida. A high class real estate agent, Aida is some strange incarnation of a helicopter parent. She pays her daughter’s rent and then criticizes her lack of fashion sense, and common sense, come to think of it since she disapproves of Ro’s morbid interests. A hot vicar strolls onto the scene as Ro’s love interest. Of course this one is not to be confused with The Hot Vicar, Sidney Chambers, but that’s for another day, ladies. Ro’s ex is also a police detective married to another police detective. I don’t care to see catty exchanges between women at odds over a dude, but that’s where this rivalry is now. And let’s not forget dowdy librarian, who is exactly the stereotype you are picturing. Finally, we have our one non-white character with a substantial speaking part. Lexa Doig, a part-Filipina actor, plays Ro’s best friend, Sally, and yes, her job is to be as supportive and non-offensive as possible.
Dir: Martin Wood
Writer: Teena Booth
Cast: Candace Cameron Bure, Marilu Henner, Lexa Doig, Bruce Dawson, Peter Benson, Sonya Salomaa, Dan Payne, Miranda Frigon, Stephen Huszar, David Ingram, Fiona Vroom
Time: 83 min
Country: United States
Network: Hallmark Movies and Mysteries