It’s a stormy October afternoon in Hong Kong, and I’m housebound as a typhoon rages outside. Perfect time to watch whatever is next in my Netflix queue, which happens to be Little Witch Academia. This anime short is one of my few brushes with the genre so I don’t have much for comparison, but I found it a breezy little film that satisfies the Hermione Granger in me. I won’t be rushing to see the sequel, The Enchanted Parade, also on Netflix, but I appreciate this compact package about a girl who learns to have confidence in herself.
The message is wrapped in a story about witches and dragons and superstar chick magicians. A young Akko discovers witchcraft when her parents take her to see Shiny Chariot, a glammed up witch who puts on dazzling shows that leave her audiences in awe. When Akko is older, she enrolls Luna Nova Magical Academy, a muggle in a class full of magic-born girls. Though she has a few close friends, Lotte and Sucy, she is often mocked by the other students for her poor grasp of basic witch skills, like broom riding. She is teased most mercilessly though for her idolization of Shiny Chariot because while Akko is enamored with her conjurations, the wizarding world dislikes Shiny Chariot’s low-brow appeal to the masses. Akko’s classmates argue that her idol gives witches a bad name by relying on attention-grabbing illusions rather than real magic. But what’s real and what’s fake in the witch world? When a treasure hunting exercise results in the accidental release of a dragon, Akko relies on Shiny Chariot’s mantras to try to save her school.
There isn’t anything spectacular about the animation. I wanted the school or the cave where they are looking for treasures to evoke something mysterious and otherworldly, but the artists stuck with boilerplate images. Luna Nova is a single towering column rising above a forest, and the cave is, well, a dark hole. But while that doesn’t bother me, I have always been disturbed by the way girls are depicted in anime. I can practically see up Akko’s school uniform, which stops pretty much where her butt does. Akko’s main nemesis is Diana Cavendish also intrigued me. Brainy, beautiful, blond, and more a woman than a girl, I couldn’t figure out if she was the stereotypical mean girl or the stereotypical hot girl.
Akko is a relatable, bright-eyed heroine though. She’s surprisingly well adjusted; though she knows she’s an outsider, she accepts that role and tries to get on without letting it bother her. Despite the other girls’ disdain for Shiny Chariot, she still knows what she believes. She just needs to put it to better practice. And that would make any Hermione Granger smile.
Prod: Naoko Tsutsumi
Dir: Yoh Yoshinari
Writer: Masahiko Otsuka
Cast: Megumi Han, Fumiko Orikasa, Michiyo Murase, Yōko Hikasa, Noriko Hidaka, (English Dub) Erica Mendez, Stephanie Sheh, Rachelle Heger, Laura Post, Alexis Nichols
Time: 26 min
Country: United States