When I was a kid, if your Catholic school music teacher wanted to show a Biblical themed musical, chances are you were watching Jesus Christ, Superstar. As a result, kids like me – or maybe just me – spent their childhood confused as hell about hippie Judas. There’s a wider selection these days, but Andrew Lloyd Webber is still a mainstay, and you can now opt for a production of Joseph and the Amazing Technicolor Dreamcoat instead.
The musical, about Joseph of the Book of Genesis, his jealous brothers, and path to forgiveness, was always family friendly. Filled with songs that borrow from an array of musical styles from country hoedown to calypso, the numbers are jaunty and even a little silly. This direct-to-video film from 1999 makes the most of that and turns Weber’s hit into a wacky aural and visual feast.
The movie is framed around a primary school production of the musical. Students are shepherded into the auditorium by their dour teachers, including Alex Jennings and Ian McNeice, who soon spring into action as the singing, dancing characters in the story. They play the major roles while the kids occasionally run amok and snake their way into the scenes.
Maria Friedman stars as the Narrator, a spunky guide who invites us into the story of Joseph and ushers us through his journey from favored son of Jacob (Richard Attenborough) with a gift for interpreting dreams to Egyptian slave cum savior. Taking on the title character is Donny Osmond, revisiting the role he brought to life in earlier stage versions. Osmond, the syrupy voiced teen pop idol turned syrupy voiced fantasy for middle aged mothers, is a fitting choice that bridges all demographics. He retains his puppy dog’s earnestness, which proves useful when you want to gain sympathy because your brothers have sold you into slavery. His show-stopping ballad, “Close Every Door,” which Joseph sings after he is wrongly accused and imprisoned for seducing his master’s wife (Joan Collins), washes down like a dream.
It’s probably the most conventional Broadway number, highly singable and earwormy. The others are not as catchy, but they each have a unique flare and accompanying set piece. If you don’t like the pastiche of musical and visual style, then the experiment can be distracting. I think the artistic shifts tend toward the schizophrenic and make it harder to remain focused on Joseph. The religion teacher in me was agog at the bedazzled nipples in the Art Deco-inspired Potiphar number, the one in which Joan Collins undresses and seduces dear Donny. Just a couple scenes later, we have Bye, Bye, Birdie Pharaoh (Robert Torti), a hip-swiveling rock n’ roll king who summons Joseph to help him untangle some disturbing dreams. I’m guessing kids won’t care too much about these clashing styles, and the constant changeover may even keep their attention. They’ll work out the themes to this story, ones that include trusting in God and not coveting your brother’s awesome multicolored parachute cloak.
Selected songs below. You can find all clips and songs here.
“Any Dream Will Do”:
“Jacob and Sons”:
“One More Angel in Heaven”:
“Close Every Door”:
“Go, Go, Go Joseph”:
“Song of the King”:
“Those Canaan Days”:
“Any Dream Will Do (Reprise)”:
Prod: Andrew Lloyd Webber, Andy Picheta, Nigel Wright, Austin Shaw
Dir: David Mallet
Writer: Tim Rice, Michael Walsh,
Cast: Donny Osmond, Maria Friedman, Richard Attenborough, Robert Torti, Ian McNeice, Joan Collins, Christopher Biggins, Alex Jennings
Time: 76 min
Country: United Kingdom