To reach A Christmas Star’s sweet center, you have to overcome certain flaws in narrative and character development, which may not be worth the trouble to some. Noelle (Erin Galway-Kendrick), the main character, is an eleven year old girl with miraculous powers, a perk of having been born in a barn under the Christmas star on Christmas Day. Unfortunately her powers are limited to one type of miracle – stopping arguments, and this particular skill set isn’t integrated into the story in any logical way. Instead, it’s more of a nice character quirk, something that occasionally sets her apart from others but that is talked about far more than it is used. No one except her best friend Spud-Bob (James Stockdale) knows about her powers despite their jarring and very noticeable effects.
It’s an unnecessary distraction from the rest of the story, which is propped up by one cliché after another but at least makes sense. The Northern Irish town of Pottersglen is in need of some saving. Its signature nativity snow globes aren’t selling anymore, and the pottery that makes them and that employs most of the town is facing ruin. Enter cartoonish villains, Mr. Shepherd (Pierce Brosnan) and Pat McKerrod (Robert James-Collier), the American owners. Well, McKerrod is originally from Pottersglen but left after some drama involving smashed snow globes and a rejected proposal to Noelle’s mom (Bronagh Waugh). This maybe explains his ropey American accent? Anyway, McKerrod hopes to turn mow down the pottery and most of the town and replace it with his own Christmas Kingdom, a premiere hotel-casino-golf-course destination but presumably with a holiday touch.
James-Collier already proved his slimeball bonafides in Downton Abbey as downstairs scoundrel Thomas Barrow. He’s moved upstairs now but still looks like the kind of guy who would enjoy ruining your life. The movie falls just short of an exaggerated kids’ movie though, and it doesn’t need a greedy bad guy rubbing his gloved hands together while cooking up his next scheme. The presence of a son makes things even more awkward. McKerrod keeps barking at Junior (John Moan) to “man up.” I wasn’t aware this was a 1950s sitcom and “Junior” was still a thing, and it’s not clear why McKerrod is stringing his detested preteen son along on a major business trip.
Noelle’s father (Richard Clements) is another confusing figure. A respectable, kind, and even clumsy person, he is also prone to lashing out at his daughter. Some of these fits of rage merit a trip to anger management, but the casual way with which his wife and Noelle dismiss them make me think that this is not really a part of his character. I understand freaking out about your daughter nearly getting crunched by a motorbike, but no need to get apoplectic about her claiming to have powers, especially when people always seem to stop mid-argument around her.
So what is this sweet center that I love about A Christmas Star? Kids. Galway-Kendrick and Stockdale in particular. For two young actors with few credits to their name, they capably light up the whole film, filling me with warm feelings long after I’d finished watching. Each radiates a childlike wonder that is equal parts innocence, confidence, and hope. Together though Noelle and Spud-Bob share a beautiful friendship. They are funny, like when they try to test her miracle powers by multiplying loaves, and honest, like when they talk about feeling different (Stockdale is physically disabled). Their vulnerability with one another touched me in a way that even Noelle’s relationship with her parents did not. I will always love it when young people want to see the good in others, and this movie, for all its faults, aims for that optimism. I will also love it when a movie supports young people in arts, and this production from the youth film charity, Cinemagic, does just that.
Prod: Joan Burney Keatings
Dir: Richard Elson
Writer: Maire Campbell, Richard Elson
Cast: Rob James-Collier, Suranne Jones, Bronagh Waugh, Erin Galway-Kendrick, Pierce Brosnan, Liam Neeson, Richard Clements, Philip Rafferty, James Stockdale, Roma Tomelty
Time: 83 min
Country: United Kingdom