Sometimes you come across a bad movie at the right time and, despite knowing better, still find it enjoyable. It’s happened to all of us, and Maid in Manhattan is one that caught me unawares on a lazy Saturday afternoon. A lifeless, predictable romance, if we’re being honest, this movie nevertheless wormed its way into the edges of my heart. It’s not exactly a romantic comedy, though it does have its stock of absurd characters and situations, but I liked Wayne Wang’s quiet direction, which was content to let the story hum steadily along.
The movie still depends on wacky, blown-up moments that pivot the action from one point to the next. Marisa Ventura (Jennifer Lopez), a maid in the rich people’s floor in a fancy Manhattan hotel, is a devoted single mother with aspirations of joining management. When her friend convinces her to try on a guest’s discarded Dolce and Gabbana, she catches the eye of Chris Marshall, a state assemblyman with aspirations of joining the U.S. Senate. He mistakes Marisa for Caroline Lane (Natasha Richardson), whose room she is cleaning, and they go out for a walk. Unable to stop this train, she continues the deception, much to Chris’s confusion when the real Caroline shows up at a private lunch.
Anyone who’s seen a romance knows where this is heading and how it will work itself out. The movie doesn’t get its fuel from its original storytelling but in part from the charisma of its supporting characters. The actors ham it up, exaggerating the drama just so. Richardson has the most fun with her role and teases the clueless, British Caroline. Stanley Tucci also makes an impression as Chris’s dry chief of staff, ever on guard for media stories that may threaten the Senate campaign. Others have roles that aren’t as juicy, a young Tyler Posey as Marisa’s politically obsessed son and Bob Hoskins as the avuncular head butler, for example, but they stand out for their sincerity.
The real weak link is the lead characters. It isn’t so much that Lopez and Fiennes are bad but that they have no chemistry. In fact, I easily fell for Marisa’s flinty personality and Chris’s wayward Republican attempt to see past himself. But the two act at each other, both characters earnestly in love with someone, just not the someone in front of them. Marisa makes a dynamic first impression on Chris because of the way she looks, but his continued devotion to her is puzzling, predicated on the fact that she will tell it like it is while his staff are all too eager to shield him from any hint of controversy. Likewise, she’s smitten, but since she always ends up lecturing him about the working class, what’s the attraction?
Besides making for a frustrating romance, this lack of clarity also raises questions of how race, class, and gender are portrayed. That the Latino girl moves up thanks to the generosity of the dashing white guy is just one of the concerns. Marisa is never really more than the maid who makes good, something that is emphasized most clearly in the closing scene when her name and photo are splashed across magazines and newspapers. Even after she strikes out on her own, she is always presented in relation to her former job or her partner. Once a maid in Manhattan, always a maid in Manhattan.
Prod: Elaine Goldsmith-Thomas, Paul Schiff, Deborah Schindler
Dir: Wayne Wang
Writer: Kevin Wade
Cast: Jennifer Lopez, Ralph Fiennes, Natasha Richardson, Stanley Tucci, Tyler Posey, Marissa Matrone, Amy Sedaris, Bob Hoskins
Time: 105 min
Country: United States