The Proposal will be celebrating its tenth birthday next year, and as I rewatch it in 2018, I see that it doesn’t so much shine a light on naked Ryan Reynolds as it does on the conversation around American immigration. The premise rests on formidable editor’s imminent deportation to Canada, which she fights by arranging a quickie wedding with her assistant. Despite violating previous immigration orders and engaging in a sham relationship, INS actually goes along with the charade, grants the woman an interview, and proceeds as if everything was aboveboard – even after she admits to the fraud!
Are You Serious? [insert massive side eye] ICE is rounding up people left and right, and this is the immigration story we get? I know it’s Hollywood, I know it’s fake, and I know it was made in 2009, but it’s also incredibly sobering to watch in these times. The Proposal can only exist with a white Canadian protagonist. If you were to cast an actress any shade darker, this movie would be neither a romance nor a comedy. We’d have a straight up tragedy on our hands.
This is where reality leaves us, even if you can salvage parts. You can still appreciate the charisma and chemistry of lead actors, Sandra Bullock and Ryan Reynolds. Bullock is an ice queen as Margaret Tate, but her character melts damn quick when she starts opening up to her assistant cum fiancé during a weekend trip to Sitka, Alaska. Likewise, Reynolds is at his romcom peak. He plays, Andrew, the long-suffering writer and editor who endures his boss’s abuse in the hopes of securing a plum publishing job. The two eviscerate each other with withering sarcasm and wit, that is until they start to bond over Rob Base and DJ EZ Rock. Their weekend with his parents (Mary Steenburgen and Craig T. Nelson) and grandmother (Betty White) helps both to reevaluate their priorities. For Margaret, it’s being more emotionally vulnerable and available while Andrew has to reconcile with his demanding father.
Besides the two leads, White gets the most attention as the gabby grandmother. She has her moments, like when she’s poking around Bullock’s chest like it’s an egg hunt. But there’s also a questionable scene in which she’s chanting and hopping about in what we’re led to believe is a Native American ritual. Props for bringing the Tlingit, an indigenous people, to my attention, but when your name is Betty White, spinning around a bonfire while wearing a headdress is not a good look.
Some supporting characters get lost, and the movie never balances the immigration fraud with Andrew’s story in particular. We meet his ex, Gertrude (Malin Åkerman), who normally would work her way into becoming the third wheel, but there is nothing bad to say about her. Worse yet, there’s really nothing to say about her at all. Andrew’s split with Gertrude and rift with his dad all have to do with his reluctance to stay in Alaska. Unfortunately, we never get a satisfying conclusion to this either, even if they do find peace.
Prod: Todd Lieberman, David Hoberman, Kristin Burr
Dir: Anne Fletcher
Writer: Peter Chiarelli
Cast: Sandra Bullock, Ryan Reynolds, Betty White, Mary Steenburgen, Craig T. Nelson, Denis O’Hare, Oscar Nuñez, Malin Åkerman, Aasif Mandvi
Time: 108 min
Country: United States