Eileen Atkins

What a Girl Wants (2003)

what a girl wants

You have to give credit to the makers of What a Girl Wants, a middling teen film that knows exactly how to hit its audience’s sweet spot. American girls with a touch of Anglophilia will appreciate this effort even if others do not, and while it doesn’t do much to distinguish itself from its peers, the movie provides a good dose of escapism for those stuck Stateside.

Amanda Bynes stars as Daphne, a teenager on the cusp of young adulthood who longs for something more in life, to which I say, get in line. She lives in New York’s Chinatown with her hippie musician single mom (Kelly Preston) – because of course, and the two work the wedding circuit. Daughter does catering while mom provides the entertainment, a detail that matters insomuch as it gives Daphne an excuse to drone on about how her greatest dream is to have a father-daughter dance. This is her impetus to jet off to merry England to find the father she never knew, Henry Colin Firth Dashwood, Earl of Some Place or Other.

She arrives with nary a plan but, through sheer American determination, finds her way to Henry’s estate, apparently accessible by bus. He’s shocked, his mother’s (Eileen Atkins) stunned, and Henry’s fiancée (Anna Chancellor) is positively horrified, not the least because he is running a much publicized campaign for the House of Commons with an eye on the prime ministership. The good earl throws political caution to the wind, deciding to spend time with his daughter even if it means potential clashes with the crusty elites.

Bynes makes a good ambassador for young American girls abroad, even if she isn’t the best actress. She has a twinkly-eyed appeal, and you know that Daphne, despite a few hard knocks, will always brush herself off and get back up. This girl is going to end up on her feet no matter how many times she’s mocked by the Henley Regatta crowd for her (lack of) style and her freewheeling ways. She’s also sensible enough to pick the soft-spoken middle-class guy (Oliver James) over a toff named Armistead. What refreshing resilience in a young female character, no matter how low the stakes.

That American brand of egalitarianism works because of pitched performances by the English actors. Chancellor and Christina Cole, who plays Chancellor’s spoiled daughter, are so insufferably snobbish that they must be poking fun at American stereotypes of the English ruling class. Together with a sniveling Jonathan Pryce as Henry’s political advisor and potential father-in-law, the evil triumvirate is hell bent on keeping the grubby Yank out. Firth is decidedly less pompous but reserved as ever. When Daphne gives her father a picture album with her childhood photos, he doesn’t know how to respond. It’s as if he’s never received a sentimental token before. As Atkins’s character puts it, “No hugs, dear. I’m British. We only show affection to dogs and horses.” Ah yes. Then let’s just give this film a polite nod.

Released: 2003
Prod: Denise Di Novi, Bill Gerber, Hunt Lowry
Dir: Dennie Gordon
Writer: Jenny Bicks, Elizabeth Chandler
Cast: Amanda Bynes, Colin Firth, Kelly Preston, Oliver James, Eileen Atkins, Anna Chancellor, Jonathan Pryce, Christina Cole, Sylvia Sims
Time: 105 min
Lang: English
Country: United States
Reviewed: 2016

Robin Hood (2010)

robin hood

Against my better judgment, I approve of this movie. There are problems aplenty, starting with the casting, namely the casting of Russell Crowe. This wasn’t one of those Daniel Craig as James Bond situations where everyone recanted with fawning apologies after watching the movie. No, the outcry continued after the film’s release. To be sure, Crowe is not the worst actor for the part, but Robin of the Hood possesses a certain cheekiness that people love, one that makes his rascally pursuit of the rich in service of the poor all the more winsome. Think merry men, think jaunty (mis-)adventures. Crowe is imposing and someone who you would ask to help steal back your grain, but he’s not someone you’re comfortable sharing a turkey leg with; “cheeky,” “merry,” and “jaunty” are not adjectives in his Venn diagram.

The fault is not entirely Crowe’s though. Director Ridley Scott belongs to the gritty rehash school of filmmaking where dark and weighty reimaginings of old heroes and historical adventures reign (Batman Begins, King Arthur, Kingdom of Heaven). This puts a damper on the storytelling. The bloated script runs about half an hour too long and is really an extended origins story. The movie begins with our hero, Robin Longstride, common archer for the king’s army and veteran of the Crusades, storming a French castle for king and country. He is also nursing some absent father issues, and these are magnified when he stumbles upon a dying Sir Robert Loxley (Douglas Hodge), whom he impersonates in order to get back home. He promises to return the knight’s sword to his old, blind father (Max von Sydow), but back in England, Robin finds he cannot shed his new identity so easily.

This is a fine perspective from which to better understand ye olde Robin, except this movie also has the rumblings of an early constitutional convention. The kingdom is a mess: Richard the Lionheart (Danny Huston) has just died, felled by a French cook with an excellent shot; his brother John (Oscar Isaac), the royal runt, ascends the throne; the French threaten to invade, aided by English conspirator Sir Godfrey (Mark Strong). The last thing the new king needs is barons bickering over trivial matters of rights and laws. But the hallowed Magna Carta, at least its first draft, worms its way into a stuffed script, thus giving Robin the chance to bellow that “every Englishman’s home is his castle!” Right on.

So what do I like about this movie? The supporting cast carries a lot of extra weight and does so nimbly. Cate Blanchett is the fairest Maid Marian of them all, a medieval, uh, Renaissance woman. No one would doubt that she is capable of running 5000 acres in her husband Loxley’s stead. Blanchett embodies Marian’s tenderness but also lends an emotional, and physical, strength to her character. Strong also satisfies as a duplicitous, self-serving knight, but Isaac proves to be the scene-stealing baddie with something of a Napoleon complex. Meanwhile, the infamous Sheriff of Nottingham is only a footnote here but Matthew Macfadyen makes use of his limited screentime to show a more buffoonish character than we are used to. Robin’s partners in crime (Kevin Durand and Scott Grimes) are also a stalwart bunch who counter their friend’s somber mood with good comedic timing. Despite all efforts to heighten the gravity of this tale, enough lighthearted moments sneak in that recall Robin Hood adventures of yore and why you wanted to watch another adaptation in the first place.

Released: 2010
Prod: Ridley Scott, Brian Grazer, Russell Crowe
Dir: Ridley Scott
Writer: Brian Helgeland
Cast: Russell Crowe, Cate Blanchett, Mark Strong, Oscar Isaac, Eileen Atkins, Max von Sydow, Mark Addy, William Hurt, Kevin Durand, Matthew Macfadyen, Lea Seydoux, Scott Grimes, Alan Doyle, Danny Huston, Mark Lewis Jones, Douglas Hodge, Jonathan Zaccai
Time: 140 min
Lang: English
Country: United Kingdom
Reviewed: 2014